HESTER FINCH IN 'MOTHERSHIP'

 
 

Work by Hester Finch will be included in the exhibition ‘MOTHERSHIP’, a group show presenting work by artists at different stages in their careers, all of whom are managing the demands of being a mother alongside their individual art practices. The exhibition will run between 2 and 16 December at The Sawmills, London SW18 4QL. Click here for more information.

'OPENED GROUND' IN IS MAGAZINE

 
 

“In many ways, Carr is inviting the viewer into the unique relationship she enjoys with her subjects. As objects shift, shrivel and quiver before her eyes, she paints them in a way that shares that ambiguity with her viewers. We are never quite sure what we are looking at – is it miles of mountain range or millimetres of studio? Our answer may vary from one day to the next.”

Is Magazine reviews Claudia Carr’s solo exhibition ‘Opened Ground’ at Jessica Carlisle. Read the full article here.

CLAUDIA CARR INTERVIEWED BY ELEPHANT

 
 

"I keep coming back to working from life because I love the intimacy of staying patiently in the presence of one particular object (or group of objects) day after day. The relationship feels more two-way than just me observing. Objects come charged with psyche; they have got qualities that aren’t just on the surface, qualities that aren’t immediately apparent. If you spend time with an object it starts to reveal its interiority to you."

Elephant Magazine interview Claudia Carr about her current exhibition, 'Opened Ground' at Jessica Carlisle. Read the piece here. 

'OPENED GROUND' ON PAUL'S ART WORLD

 
 

"Painting is well suited to ambiguity: a photograph may be deceptive, but once you know what it is the matter is concluded. But there's no fact of the matter in a painting, which Claudia Carr exploits to the full in her pictures derived from small objects arranged in the studio, here restricted to calmly lyrical black, white and ochre."

Paul Carey-Kent highlights Claudia Carr's current solo exhibition 'Opened Ground' at Jessica Carlisle until 3 December. Read the piece here.

Paul Feiler in Studio International

 
 

"Whether Feiler’s consummate, spectral irradiations induce quietude or malaise is, naturally, dependent on individual response (he reported both reactions on the part of viewers). They do not convey Rothko’s apocalyptic vision, but their optical purity and hypnotically auratic presence are indisputably more than “merely” decorative, and fully capable, as Feiler intended, of mesmerising viewers into tasting the honey.

Studio International review Jessica Carlisle’s recent exhibition of Paul Feiler. Read the whole article here. 

Jessica Carlisle writes for STATE

Jessica has written an article for STATE Magazine about the role of public collections in the UK. You can read the article, ‘Goods in Transit’, below. 

Marcelle Hanselaar in 'Creative Fury'

 
 

Work by Marcelle Hanselaar will be included in the group exhibition 'Creative Fury', presented by Joanna Bryant and Julian Page at Clerkenwell Gallery. Her work will be shown alongside that of William Kentridge, György Kovásznai, Yvonne Crossley, Kate McCrickard and Cally Shadbolt. The exhibition will run from 9-19 November, with a private view on Tuesday 8 Nov. 6-8.30pm. For more information, visit Julian Page’s website, or read Wall Street International’s article about the exhibition.

House & Garden

House & Garden feature current exhibition of late work by Paul Feiler in their 'Living with Art' section. Read the piece online here. 

 
 

City AM

 
 

"Feiler was part of the St Ives School of painters in the 40s to 60s alongside Terry Frost and Patrick Heron, a group that helped to define British modern and abstract art. However, this exhibition focuses on his later work, which explored geometric shapes on square canvases."

Paul Feiler exhibition at Jessica Carlisle in CITY AM's Frieze Week highlights. Read the whole article here.